![]() There is a virtual MIDI output for each channel and all commands are merged by priority with the precise clock provided. The Multiclock is delivered with an EU power supply It can be operated with a 9-12V DC power supply with any polarity. The added USB function allows users to send any MIDI commands from a DAW to connected slave devices while syncing with Audio Clock. Multiclock can also be used as a standalone Master Clock generator. Additionally, Multiclock can be synchronized with incoming MIDI Clock, DIN Sync or Analog Clock from a modular system. This unit comes with a 100V-240V adapter with an EU style power plug. Multiclock synchronization with a DAW relies on a sample-accurate audio clock stream, which consequently ensures absolutely tight clock signals with sample jitter + -1. The incoming audio signals are converted by the Multiclock into a stable clock and sent to the outputs of the four channels. Multiclock receives timing information from the DAW audio track, using the supplied plug-in installed on your computer. Each channel can be set to either emit MIDI, DIN sync or analogue clock. CUSTOM OUTPUTS The multiclock has four outputs. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock, which allows for rock solid sync signals. The time range is 30-300 BPM, the shift range is + -400ms and the resolution 20μs. The multiclock can be it’s own master or synced to external MIDI, DIN sync or Analogue master clocks. As if all this wasn't enough, unused channels can always be used as MIDI controllers. Multiclock offers Hot-Plug & Play support for MIDI, DIN, modular clock and analog LFO for each channel. It features four ultra-precise channels, each of which can be moved separately and rotated in real time to compensate for the delay of the slave machine and add groove to the clock. Multiclock converts all kinds of clock signals from one to another and is able to drive extremely accurate Sync with a plug-in provided by a DAW's sound card or even generate Master Clock itself. Synchronisation of the multiclock to a DAW relies on a. The MIDICLOCK+ creates a clean and tight MIDI-Clock and for allows for reliable starting, stopping and re-synchronising a number of sequencers or a DAW with flexible tempo.E-RM's USB Multiclock is a multi-format solution to synchronize audio devices of all types of musical instruments with great precision to DAW or Master Clock. The multiclock can be its own master or synced to external MIDI, DIN sync or Analogue master clocks. ![]() The unit is operated by a few controls: the start/pause button starts and stops all connected machines that understand the MIDI commands "start", "stop" and "continue". The plug in is routed to an output channel on your interface that connects into the 1/4' 'Input' jack on the ERM next to the MIDI input. The MC uses a clock signal from the DAW (generated from a plug-in) to create sample-accurate clock output. You could also route everything more flexible using the iConnectivity midi interfaces. To setup your Muticlock in an Ableton system, you would connect the Multiclock to your DAW. A thrubox might be highly recommend, depending on your overall setup. The synths/sequencers have to connected via those. The Multiclock outputs via 4 Midi-DIN ports. It seems its always off by a specific amount in POS mode, even when a track delay is set in Live. neg/pos mode works as expected, but the count in for jamming with Ableton is kind of annoying. The reset/re-start button causes the unit to reset/re-sync the MIDI song position of all connected units to the beginning of the next full bar and to re-send a "MIDI start" command. Slave the multiclock to the plugin or the samples (see e-rm webpage). fr0st003 wrote:I just got one of these, and I am having a few issues getting it to sync with POS mode. Can the ERM handle a lot of CC messages from Ableton without. ![]() I want to slave via audio clock to ableton. This makes possible to re-synchronise slaved units during playback without a break. Hello, I am planning on buying the ERM Multiclock. The tempo is being set with the encoder and the valus is shown in the display as number of BPMs. Two modes for setting the tempo are availablethat are distinguished by the display´s brightness and the "M"-LED: normal mode (LED off): each change of tempo has to be confried by pressing the encoder in order to prevent unwanted changes. That is useful if you want to use the unit as a steady clock generator. In live mode (LED on) every tempos change will be directly implemented. A double-click on the encoder brings you back into normal mode. Power is supplied by USB or a USB-wall wart power supply. The tempo range is 30-300 BPM, the shift range is ±400ms and the resolution 20s. New features of version Midiclock+: DIP switches on the back determine for each output if a MIDI Clock or a DIN Sync24 signal is emitted. As if this wasnt enough, unused channels can always be used as a MIDI controller via MIDI-out or USB MIDI.
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